Monday, July 26, 2004

New Days, New Ways Of Seeing

Colleagues, Associates, Mentors, emerging artists and laypersons:

1: It has been great to be part of this Vancouver community and to develop my artistic career since I arrived here 24 years ago. To read and learn about the other points of view from the emailers and readers is an insight to the complexities of the human spirit, the world we occupy, and our final destinations. I thank you all for your support, criticisms, and challenges which hopefully shapes us into better people. As a cultural professional, filmmaker and performer, I am humbled by the work that I have seen and experienced over the years from the many talented people> out and about, and I know I have so much more to learn regarding the fragile state we live in today, and our roles as artists today. God willing I turn 48 tomorrow July 27. Being a Leo, I have been too dogmatic, opinionate, and egocentric at times, no doubt because of this traits, and my own sense of insecurity. Somewhat older these days, I have mellowed out from the intensity of my early years, but there were many reasons for that intensity, or sense of determination of the times. I was determined not to become the failure that many systemic native and non-natives want others to end up in, when ones sees someone attempting to realize their potential in life. Even today, we are still divided and unsure of the other. Why is that? Politics of survivial? Politics of race? Politics of indifference? Insecurities, jealousy, pettiness, stupidity? What it is? Moving here September 17, 1980, there were two choices for me as a young uneducated native man at the time I left Edmonton, Alberta. Death by drugs or ending up in jail. I kid you not. Finding acceptance in all the wrong places was normal for native people in a society, which is still systemically racist and expects to see the native under the white man, black man, or yellow man.

With the historicity of colonialism, capitalism, empericalism, and the> ideology which came out of the baroque, romantic, modernist, contemporary, and now our "Age of Terror" period of cultural politics, the "Indian" was seen as part of the heathens and infidel classification which developed out of the manifest destiny, and was seen as sub-human. This positioning crept into the dime novels, the folklore, romantic novels, cultural, political, and education apparatuses of the colonial states, and eventually the filmic, radio, and television forms which still exist today. It still exists today in how people> attempt to define Natives today. Moving out of the red neck racism of my early years I was determined more than every to do something with my life when I saw the opportunities in Vancouver. Repressing all the hate, anger, rage, and damaging experiences I endure as a child growing up, I did not look back except at time in my life where I was weaken by the challenges we all must endure at times. I tell you people this because, I believe in what I experienced as an uneducated man to reasonalbly intelligent man, even though I am still haunted by the> experiences of my past. You see I received a package last week from a lawyer in Edmonton, who is representing victims of child abuse during the hundreds of thousands of adoptions of Métis children by the Alberta Government. Not good, now I know what people experience when they have to remember the experiences of residential school, and other institutions which were created to suppress a people or race. All the physical and sexual abuse I experienced as a child flooded back to me. To remember the hate, and anger of that time was haunting> and forlorn. Yet we must carry on. I joined the suit because the system has to be accountable to the suffering many young Métis Children experienced under foster care. I was just one, and many have not survived and not here today.

If any of you ever get a chance to see Dairy of A Métis Child an NFB docu-drama by Alana Obomsowin, check it out. Sad film, but tells the story of Richard Cardinal, who committed suicide at the age of 16 after 16 foster homes. I empathized with the story because I could have been Richard. To find out that I was in 16 foster homes by the time I was four in 1994 was astounding. Now I know why I was so intense, so determined. So determined to success in asystemic society, which hated Indians. People laughed at me, ridiculed me and told me to get out of the business when I was a young actor/model. Perhaps all that rejection at an early age helped, because my skin was as tough as nails and all the adamant hate towards me only made me more determined to success and be better than the "white" man at their game. Racist, maybe, but this world and its cultural politics has been based on the colour of ones skin, and at those times in my life, I was cold, uncaring, and determined to stay alive in a society which wanted me dead or in jail. Today, I am stronger, brighter, and more caring, even though I still experience the racism today and yesterday. I will get through this lawsuit, and I will continue to create stories about life and our journey to our Creator. I may turn 48 tomorrow, but today, I will still have the opportunity to realize my> potential in life instead of settling with life.

2: Thanks for reading, and taking time to learn more about me, and what has defined my character, my development as a human, and my determination to make this world a better place for all of us. I incuded my CV to give you an update on my work.

3: Next current project is the feature film story of Metis Winter Morning. The project will tell the story of young Metis love in the 40s and the> apprehension of Metis children by The State system. If people are interested in being involved with this film project, please email CVs, a letter of interest as to why you would want to be involved with a summation of your goals and aspirations.
Miigweech to all my relations in you.
Donald Morin, ba
DAMOGRAPHY MEDIA
Ae Literacy Manufacturing Company.
Cell #: 1-778-866-2275

2 comments:

Donald said...

August 12th., 2004

Involved with a 48 hour film competition this weekend DOP/lighting for a five minute short written by a group of young First Nations Women and men, who will be taking various aspects of functions on this shoot. Film? Video? Digital Video? New technologies, old words, the clash of semantics create multi words for an old convention.

Having Studied Film @ The SFU Film WorkShop and as well as video art/performance, I have always defending the notion of film as being highly and technologically more demanding than the technical parameters, and simplicity and immediacy of video, and now digital video.

People would say , "we're filming this project." or "film the subject with a blue gel.", or say, " This is a great film project!" while in actuality, they are using video or dv, and have not had film experience/training, or only television fundementals, or workshop learning experiences.

Am I being an elitist with respect to differeniating between the three mediums? Maybe, but the technical parameters of each medium defines a need for specialization with each medium. Broadcast Engineering is highly technical and important with respect to the power of the wavelength spectrum and how sound and light relate to energy and transmission procedures. Digital Video being digital information is more complicated than analogue video and due respect is needed for each form. Respect must be acknowledged as well for the talents and skills of the peole involved with a project. The form is only a tool of the geniosity or compancency of the artists involved.

Also have call back audition Friday August 13th for feature film , so say a prayer for me
Miigweech

Donald said...

September 8th.

Addendum to Metis Winter Morning

Subject: Re: The back story & after story of Donald Morin's project METIS WINTER MORNING

From Search 82 participant Donald Morin

Good day colleagues:
I am writing this from Edmonton, Alberta, where I will be until Thursday. I left Vancouver last Thursday for a long awaited family reunion with
relatives from BC, Alberta, and Saskatchewan. It was a
successful event
held Saturday at Alberta Beach, an hour drive North West from
Edmonton.
There were relatives who have not seen me since I was a year and a half, when my twin brother and I, plus our other six siblings were apprehended from our mother in Edson, Alta, June 1958.

Reunion begins the revitalization of a project I STarted in 1989 at Simon Fraser University, when as a fourth year student, was asked to create an idea for a film proposal. Originally named Sixteen Years Gone, the proposal was for a film project which told the story of the Late Alfred Morin, and his wife Noreen (Whitford Morin) the years leading up to the two families coming together through the early love of the young teenagers, and the trials and tribulations, they endured to kept their love and marriage together.

Through jealousy from family members, community members, and bad medicine, the couple played country and western music through Alberta and Saskatchewan, raised their children and did what they did to survive as a young Métis family. I was encouraged to continue on the story by the professor at the time. I graduated, re-wrote the proposal, titled it Wissikawini (Ojibwa meaning "Burnt Stick") wrote a first draft from
screenplay from faded recollections of the family told to me by my oldest sister, Donna Morin.

U C, after the apprehension, my twin brother, now a lawyer Ronald Morin residing in Edmonton was setup with a blind date from a young farming friend of ours, who know these two young women at the time. Diane and Donna Morin, who use to see the Twins (Ron and I) cruise a now torn down bar The Kingsway Pub in the 70s. Ronald brought the women home and they told me the story of
our apprehension, our father's death, and the rest is history.
CHED radio did a story on the twins meeting the sisters, Edmonton Journal did a story, and CBC TV did a live interview. However, CBC unexpectedly introduced our mother to us on live TV. They track Mom down, flew her up from Calgary, and there we were reunited after 16 years. We found out, that we had three sisters,
and three other brothers, plus one half brother and half sister from other scenarios, I will not mention now.

Sad to say, we met again in 1977, when our brother Jim Morin passed away from a drug overdose, and did not met again until this last weekend. The weekend was sad and happy, as we all got together again. Sure, we are a family now and then since 1973, but the two periods since the first, second, and third meeting was elongated, because we are not a family in the
traditional sense. This is due to the apprehension, and that we are not close like a traditional family due to the separate lives we had, and the lack that existed between the family members.

Yes, it has been a struggling time to find our voices, our history, our culture, and our happiness. It has not been easy. Many of us, including myself are still looking for closure to this sordid tale, because it has
been forlorn due to the identity, the system attempted to put on us, a result of the assimilation polices of the time. This narrative leads up to the civil lawsuit I mentioned in my new Solar year message. The worthlessness, which has destroyed many Native and Métis
Children nearly, destroyed us, because it was bestowed on Canada's First People since contact. Legislative racism (apartheid) created the cultural genocide, and
our family was not the first family to feel unworthy of being. Many Nonnatives never understood why the social issues affecting Native and Métis people existed, well, now at least the ones on this list serve hopefully understand why systemic racism still exists, and why
the statistics are so problematic. Regardless, of my education, intellectual achievements, I still feel the shame because of one race's cultural superiority, and the hate and sixteen foster homes I experience
by the time I was four years old.

To my critics, naysayers, (Native and Non-Native) I tell you this; I am not looking for sympathy, I am sharing some of the back-story and after story of my next film project, which I started in 1989. The
project now titled Métis Winter Morning, with this reunion kicked off the research and development, whereupon many changes will be happening in my life. I am looking for film investors for research and development to re-write the first draft to a strong historical base to the story, and as well encourage
collaboration during production in the soon to be future. It has not been easy. After meeting my lawyer for the civil lawsuit in person, I was weak. However, Tippy Agogo comes running up to me, because he was
surprised to see me walking 82nd ave. in Edmonton. I meet Tippy in Vancouver, during the Oka protests in front of the VAG in 1990, where Gunargie O'Sullivan
and I produced two performance events. The Vigilance Performances, reported in The Vancouver Sun, September,1990 brought Native and Non-Native performers
and artists together to support the Mohawks at Oka, and we have been friends every since. Tippy sat me down, phoned up a couple of his friends, and there we were, a guys club hanging around the corner of 104 street and
Whyte Avenue talking art, politics, history, and the ins and outs of living in Vancouver and Edmonton. Other guys, who knew the guys around me stopped and from 3:30 to 5:30, my troubles faded away.

It is going to be a tough ride to produce and direct this story, but it will be done. The delay in beginning this story is the result of investing 14 years into completing "7 Fires 4 U Kitchi Manitou", which I
started in 1990 as a result of the Oka crisis of 1990. My advice would be not to attempt to do a political feature film right out of university, but at the time I was determined to complete what I started, regardless whether Natives or Non-Natives agreed with the work I was writing and attempting to produce during those years.

I am moving back here, soon, but I am not sure. After 24 years in Vancouver, it is time to return to my up-rooted past and tell the truth about what Métis people endured to find acceptance in Canadian society, often not finding it, only the worthlessness, racism, abuse, and death. I was a hair away from these mentioned words, but it is through the work we do as artists, where we can find strength, allies, and some common
ground with our critics, enemies, and audience members.

I thank you for allowing me to share this project with you, and I look forward to your support.

Respectfully

Donald Morin
dam4km@yahoo.ca